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“I Stand Here Ironing” Response

Reading Response: On the surface, “I Stand Here Ironing” seems to be a story about the narrator’s oldest daughter and her complicated upbringing and coming of age. In reality, the story hold up a mirror to the mothers own decisions and “regrets” — if we can call them that.

 

I had to read this story a couple times before I was able to develop a solid opinion on it. While it is simple to follow and extremely well written, it took me some time to figure out the real purpose of the story. Shifting my focus from the daughter Emily to her mother, the narrator, was when I was able to find more depth in the story. In speaking about and dissecting her daughter’s upbringing, the narrator hold up a mirror to herself and her own life during that time. She admits to many mistakes. Does she view them as regrets? The answer to this question seems as complicated as the relationship itself.

From Emily’s birth their relationship seems to have been complicated. She describes her daughter as a beautiful, happy baby. But still the way she describes her feels sterile, and a little disconnected. Saying she breastfeed her and raised her as “the books” told her too, trying her best to fit the definition of a “good” mother from the beginning. Of course, this changed when she became a single mother. This is when we start to see a lot of difficult decisions she has confronted with. It seems every time she makes a decision related to her daughter (sending her to the father’s family, sending her to the boarding school, and so on) she comes back to her changed in some way for the worse.

A moment that stuck out to me was when her daughter was at the boarding school (I think it’s a boarding school, but I’m not totally sure), and she says to her mother that “They don’t let anybody love here!” I think this is one of the actual moments that we could call a regret. That she wished she would have listened to her more in that moment, to that specific call for help. I think that we can tell she regrets this moment, as she tries to make up for it when Emily comes home. But the other moments and the other decisions, I don’t see much evidence of regret. She doesn’t

do much to try and “correct” anything. She sees her daughter pale and fragile and watches her passively continue on in that way.

As she continues to have more children, we see that her biggest confrontation with herself is time. It seems like she feels those years and that time she spent raising children. This is why when I read the story, I view it as more about herself than her daughter or the other children. Her memories of them are blurred in some moments and the at the same time there is gaps of time where she doesn’t remember much of anything. While of course she might admit it was not an ideal situation, I still don’t know if we can consider this element of the story a “regret” of the narrator. She finds the woman that her daughter has grown into to be interesting and beautiful in a way her other children are not. I think that by holding a mirror to her own decisions throughout the past, she can admit that the relationship was complicated (and remains so), but that she still wouldn’t change it, no matter what other people might think or expect of her.

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Cultural Report

Hi all, here is my cultural report based off of Yiyun Li’s stories. Hope you are all staying safe.

https://docs.google.com/presentation/d/1axUdwvLz8-hzPxZqPK9CAor-yZQ6PJ9LBIMMdS9PjGY/edit?usp=sharing

 

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DOCS Reflection #2

I really enjoyed my first experience discussing a reading with members from the Oakland Senior Center. The first conversation that took place at my table was initiated by the prompt about what the “dark flood” looks like in our personal lives. The other members at my table just jumped right into conversation about how all three of them don’t have intense fear surrounding death or even ambivalence. One member even said she has lost so many friends already, that she welcomes the end of life, even though she finds her life to be wonderful. I really appreciated speaking with these three women who were so frank and open about such a taboo subject.

On a lighter note, we also discussed how throughout this book’s heavy theme of death, there were many moments illuminating the simplicity, novelty, frivolousness, triviality of life. The biggest example of this that came to every group member’s mind was the scene where Fran makes a perfect soft-boiled egg. As a group we reflected on how this scene is out of character for Fran, but how it depicted the enjoyment in simple moments and how rewarding just being present-focused can be, even when life never slows down with its darker moments.

I had a lot of meditation in my group on how I had focused mostly on how I could pick apart how Fran’s behavior throughout the story was due to her constant fear and confusion around such a complex idea like death. I was so intrigued by how the other group members resonated less with this obvious theme, and particularly with moments that are much less somber. I found it especially refreshing to have heard the other group members’ perspectives on how much intimacy there was among so many of the characters. We talked about how tender many of the complex relationships were in this story, even when these relationships seem taboo given the example of ex-lovers still expressing intimacy and love with each other.

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